Over the last couple of days, we've been working on producing our publication.
After we met on Tuesday evening to organise a plan of action, we got together on Thursday to start collecting content and transcribing the discussions we had held before Easter. With much of that done, yesterday we were able to start organising the layout and putting people's content in the appropriate sections of the magazine. It's really starting to come together.
Today we are in the library and starting to organise the transcripts, editing them down (we practically have a dissertation) before putting them into the document.
Saturday 24 May 2014
Wednesday 21 May 2014
This is it. . . . now to build the exhibition
Monday was the digital submission deadline and today is the printed one. Can't believe its nearly over.
Nearly.
Now that portfolio is effectively out of the way, attention now turns to the exhibition and publication. The publication team met up last night to discuss what needs to get done and when it needs to get done by. The aim is to get the content gathered tomorrow so that we can start arranging it Friday and then start to but it together. We also have to transcribe the discussions held in studio which sounded like a lot to do but we are able to split it up into 30 minute chunks.
I expect we'll be meeting with the 5th years at the end of the week as well.
Alongside this, I started to work on my individual contributions yesterday by starting to fill in my sketchbook. I'm really pleased with it so far. I have also started to plan my drawings. The plan is to do one for the housing and one for the building. This is probably going to be the most time consuming part - the other ones took about 3 weeks to do. At least I already have the drawings.
Nearly.
Now that portfolio is effectively out of the way, attention now turns to the exhibition and publication. The publication team met up last night to discuss what needs to get done and when it needs to get done by. The aim is to get the content gathered tomorrow so that we can start arranging it Friday and then start to but it together. We also have to transcribe the discussions held in studio which sounded like a lot to do but we are able to split it up into 30 minute chunks.
I expect we'll be meeting with the 5th years at the end of the week as well.
Alongside this, I started to work on my individual contributions yesterday by starting to fill in my sketchbook. I'm really pleased with it so far. I have also started to plan my drawings. The plan is to do one for the housing and one for the building. This is probably going to be the most time consuming part - the other ones took about 3 weeks to do. At least I already have the drawings.
Saturday 17 May 2014
Breaking the Rules . . . .
. . . but with good reason.
One of our requirements is to produce a 1:1250 location. Which I did. But really struggled when trying to make it Wright-ish. I poured through all the books I had borrowed from the library trying to find an example of his site plans. There are lots of them but they are all very small sites so don't really help me. From what I can find, he didn't actually produce large scale site plans. The closest I got was his model of Broadacre City.
One image did keep appearing though.
Wright's Plan for Greater Baghdad is a large perspective drawing showing all of the projects in the area at the time. It's so detailed and shows his design for the university campus in the context of the surrounding city.
Which sounds like what the location plan on my brief should aim to do: show my designs in the context of Cheetham Hill. Bearing this in mind, that the drawing is more about what it is showing rather than my tutors knowing that I can draw at 1:1250, I have chosen to break the rules slightly.
So using a very similar scale (obviously, an aerial perspective can't really have a scale) to my original plan, I am in the process of creating my own Plan for Cheetham Hill.
One of our requirements is to produce a 1:1250 location. Which I did. But really struggled when trying to make it Wright-ish. I poured through all the books I had borrowed from the library trying to find an example of his site plans. There are lots of them but they are all very small sites so don't really help me. From what I can find, he didn't actually produce large scale site plans. The closest I got was his model of Broadacre City.
One image did keep appearing though.
Wright's Plan for Greater Baghdad is a large perspective drawing showing all of the projects in the area at the time. It's so detailed and shows his design for the university campus in the context of the surrounding city.
Which sounds like what the location plan on my brief should aim to do: show my designs in the context of Cheetham Hill. Bearing this in mind, that the drawing is more about what it is showing rather than my tutors knowing that I can draw at 1:1250, I have chosen to break the rules slightly.
So using a very similar scale (obviously, an aerial perspective can't really have a scale) to my original plan, I am in the process of creating my own Plan for Cheetham Hill.
Wednesday 14 May 2014
Nearly there . . .
Can't believe the year is nearly over. 5 days until portfolio hand in which means that it's the final final crit tomorrow.
Having been working on my portfolio all week (obviously) I've now reached my inevitable point of feeling like I have finished. It's something that I have gone through every single submission, usually about 24 hours before the work is due. Which would be fine, if it weren't for my fellow third years probably working well into the night and beyond while I am actually able to get my 8 hours. A different kind of stress.
So, I currently feel like I am ready for tomorrow's crit although I know I will be getting more work to do before Monday. Therefore, I am going to spend the evening and try to critically assess my work, anything that doesn't completely make sense or convey my thought process will be altered. (If only I could momentarily forget my project so that I could really review it properly)
My IDR is also more or less done now although I still need to add a page or two about the exhibitions and my drawings before that is done. Something for tomorrow evening I think. After submission, it's a case of getting my exhibition pieces ready and getting the whole exhibition ready for the show. I've decided on what I'm going to be doing and it should be fairly straight forward, just time consuming I think.
The first of my three items is the playing cards that everyone in my atelier are going to be producing. At the moment, this is just a case of getting them onto the computer - I've already listed what each card is going to be - and to write the 'Rules of Engagement', something that I'm still working on. The second piece is going to be an image. Originally, it was going to be a bird's eye perspective of my scheme but after producing my Frank Lloyd Wright-esque drawings, it makes more sense to do one (or two) of them. The last piece is like a cross between my playing cards and my portfolio, a small sketchbook that will summarise my project with about 30 images/quotes/photos/drawings/sketches/diagrams/whatever.
Having been working on my portfolio all week (obviously) I've now reached my inevitable point of feeling like I have finished. It's something that I have gone through every single submission, usually about 24 hours before the work is due. Which would be fine, if it weren't for my fellow third years probably working well into the night and beyond while I am actually able to get my 8 hours. A different kind of stress.
So, I currently feel like I am ready for tomorrow's crit although I know I will be getting more work to do before Monday. Therefore, I am going to spend the evening and try to critically assess my work, anything that doesn't completely make sense or convey my thought process will be altered. (If only I could momentarily forget my project so that I could really review it properly)
My IDR is also more or less done now although I still need to add a page or two about the exhibitions and my drawings before that is done. Something for tomorrow evening I think. After submission, it's a case of getting my exhibition pieces ready and getting the whole exhibition ready for the show. I've decided on what I'm going to be doing and it should be fairly straight forward, just time consuming I think.
The first of my three items is the playing cards that everyone in my atelier are going to be producing. At the moment, this is just a case of getting them onto the computer - I've already listed what each card is going to be - and to write the 'Rules of Engagement', something that I'm still working on. The second piece is going to be an image. Originally, it was going to be a bird's eye perspective of my scheme but after producing my Frank Lloyd Wright-esque drawings, it makes more sense to do one (or two) of them. The last piece is like a cross between my playing cards and my portfolio, a small sketchbook that will summarise my project with about 30 images/quotes/photos/drawings/sketches/diagrams/whatever.
Tuesday 6 May 2014
Last Leg
So, one week off, one week not as much work as I was hoping and then back at uni. Tech is done, essay is done and my IDR first draft is done. It's slowly coming together.
This week has mainly been focused on my drawings and their presentation. As I mentioned previously, I was told to find a style to replicate and although I've decided to ditch the Wainwright idea (it just wasn't really going to work) I have been working on my Frank Lloyd Wright styled images. The downside is that they are taking a very long time - having to trace the drawings in photoshop and then colour and add texture. I've almost finished them now but still have some context to add to the elevations and some finishing touches to add to the long section. After that it's just arranging them on the pages, again in the style of Wright.
To help me, I got a couple (well, more like a small pile) of books out of the library. These are just filled with his drawings. I could easily just look at them all day. The drawings are so intricate and its even more amazing when you consider that he didn't have a computer to help him, let alone Google SketchUp or AutoCAD.
While my housing drawings are practically finished (until Thursday anyway), I can't really complete the presentation sheets for the centre until I have my 3D perspectives. So that's next on the agenda. The plan is to get these more or less done for Thursday - my penultimate studio day.
This week has mainly been focused on my drawings and their presentation. As I mentioned previously, I was told to find a style to replicate and although I've decided to ditch the Wainwright idea (it just wasn't really going to work) I have been working on my Frank Lloyd Wright styled images. The downside is that they are taking a very long time - having to trace the drawings in photoshop and then colour and add texture. I've almost finished them now but still have some context to add to the elevations and some finishing touches to add to the long section. After that it's just arranging them on the pages, again in the style of Wright.
To help me, I got a couple (well, more like a small pile) of books out of the library. These are just filled with his drawings. I could easily just look at them all day. The drawings are so intricate and its even more amazing when you consider that he didn't have a computer to help him, let alone Google SketchUp or AutoCAD.
While my housing drawings are practically finished (until Thursday anyway), I can't really complete the presentation sheets for the centre until I have my 3D perspectives. So that's next on the agenda. The plan is to get these more or less done for Thursday - my penultimate studio day.
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